Books

A close up of a woman reading a book.
The word "BOOKS" is shown in large white letters, with the two O's replaced by an open-book graphic on a light gray background.
Where books open worlds.

Books are more than stories on a page — they are mirrors, maps, challenges, and companions in understanding ourselves and the world we inhabit.

Big Think Books is a space devoted to the writers and ideas that shape culture, knowledge, and the way we think. Through thoughtful recommendations, deep dives, and engaging commentary, this column guides readers toward books that expand curiosity, provoke insight, and deepen understanding across fields like science, history, psychology, literature, and more. Whether you’re exploring the latest releases or rediscovering timeless classics, here you’ll find ideas worth your time and thought.

with

Kevin Dickinson is a staff writer and columnist at Big Think, focusing on the intersection of education, psychology, business, and science. He holds a master’s in English and writing, and his work has appeared in Agenda, RealClearScience, and The Washington Post.

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A man with short gray hair and wearing a plaid shirt is seated at a wooden table in a dimly lit restaurant, smiling at the camera.
The enduring mystery of how a brain becomes a mind
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Geraint F. Lewis

Book cover of “The Shortest History of Reality” by Geraint F. Lewis, featuring blue tones, white text, and an atom illustration on a red background.
Portrait of a man in a powdered wig and red coat, reminiscent of the new dark ages, looking intently at an open book.
As screens consume greater amounts of our time, we risk losing the habits of mind that helped us build the modern world.
A classical portrait of a woman with gray hair and pearls, her mouth obscured by white scribbles.
Eli Burnstein’s new book reveals language’s strange power through some of history’s best-remembered quotes.
Book cover for “A Fabulous Debt” by Robin Wigglesworth, featuring a historical painting of a man holding a piece of paper, with gold and white text on a black background.
After a plague-ridden crusade left Venice drowning in debt, the republic created the world's first bond market, changing the relationship between the government and its citizens.
A grid displays 45 colorful classic novel book covers, including titles like “Catch-22,” “Lolita,” “On the Road,” and “Infinite Jest.”.
In our age of screens and shrinking attention spans, let this analog challenge be your progress bar toward literary beauty and joy.
A person lies in bed covered by a blanket, resting their head on a pillow and holding a closed book on their chest.
Classics editor Henry Eliot shares his strategies for getting started, staying motivated, and finding joy in literature’s great books.
A colorful map titled “A Literary Map of America,” showing U.S. states with notable authors’ names and works, displayed in front of shelves filled with books.
A map is a text in its own right, and like a Pynchon novel, this one can be read in a multitude of ways.
Book cover of “The Opposite of Happiness” by George Loewenstein, featuring a large bubble and a pin about to pop it above the title.
Why do anger, regret, and shame linger? Because evolution optimized our emotions to keep us alive, not to make us happy.
A person wearing old-fashioned clothing and a red hat is holding and reading an open book, appearing focused and slightly puzzled.
Classicist Natalie Haynes joins us to discuss the trials and joys of learning about ancient Greece and its myths.
Book cover of “Nary a Horse Left Standing” by Lee Alan Dugatkin, featuring an old illustration of men by a horse-drawn streetcar, with bold white and yellow text overlaid.
The Great Epizootic of 1872 gave James Law the evidence he needed to challenge centuries of thinking surrounding the origins of disease.
Book cover with the title “Kobuk the Destroyer” by Alex Davies, featuring a bear firing a cannon and a flying rabbit reminiscent of Jimmy Doolittle’s daring spirit, all set against a striking red background.
Jimmy Doolittle pushed aircraft to their limits and, in the process, helped turn flight testing from daredevilry into a discipline.
Book cover for “Agency: The Psychological History of Human Progress” by Martin Seligman, featuring geometric shapes on a beige background with black text, reflecting themes of self-efficacy and personal growth.
Decades of research show that self-efficacy can be strengthened with a few surprisingly simple strategies.
Book cover with the title “What Happened to Liberal Democracy?” by Daron Acemoglu, featuring a gold sticker noting Acemoglu as a Nobel Prize recipient in Economic Sciences. The design hints at themes of collective knowledge that shape and challenge modern democracies.
Our collective knowledge has made us better off, but only when communities and social institutions adapt it for the common good.
Impressionist painting of a young woman in a blue dress sitting on grass and reading a letter, with soft, colorful brushstrokes.
Books to expand your perspective on history, philosophy, space exploration, and more this year.
Book cover of “The Savage Landscape: How We Made the Wilderness” by Cal Flyn, featuring a dramatic mountain range beneath a cloudy sky and a sweeping valley below, perfectly capturing the untamed spirit of the savage landscape.
From Viking tales to modern anthropology, the idea of the "savage" has shaped how outsiders viewed Indigenous societies — and justified attempts to dominate them.
Book cover for "Big Time Off: The Transformative Power of Sabbaticals and How to Take One" by DJ DiDonna, featuring a sky background, a red border, and bold lettering that highlights the concept of taking big time off.
The goal of a sabbatical shouldn't be to make you a better worker when you return. It's an opportunity to be a more fully realized person.
Stylized illustration of two purple eyes peering over a blue angular shape against a black background, evoking the intrigue found in stories with psychopathic protagonists.
These iconic literary characters shine a light on our enduring fascination with dangerous minds.
Book cover of "Data Empire" by Roopika Risam, featuring a geometric green crown design that visually echoes the book’s exploration of how data empires wield the power of information to organize, control, and dominate.
Today's surveillance economy is not inevitable. Data can become a public resource instead of a tool of control.
A minimalist line drawing of a person reading a book with an orange cover at a table, with a small vase in the foreground.
A gifted paperback sends me down a rabbit hole to discover whether how we read is just as important as what we read.
Book cover for "Power Surge" by Thomas Schatz, featuring a collage of film scenes in a style reminiscent of pulp fiction, and the subtitle "Conglomerate Hollywood and the Studio System’s Last Hurrah.
Miramax's explosive success with Pulp Fiction ignited an indie boom, rewrote Oscar campaigns, and blurred the line between independent cinema and the Hollywood mainstream.
Book cover for "Not Built in a Day" by Emma Southon, featuring an illustration of people picking fruit from a tree and the subtitle "How slavery in the Roman Empire made the Roman Empire.
A tombstone reveals the life story of a man who endured the brutal reality of Roman war and slavery.