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The newest essays, interviews, and features from Big Think.
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Cembalest, on leading and leading as a woman.
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No part of culture is impervious to technological influences, Cembalest says.
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Cembalest, on the pressure of the bottom line on the artist, and the art markets.
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Cembalest talks about the museums that leave no room for art.
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Cembalest discusses museum funding, branding, and which museums she loves.
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"Living in this apartment, working in this job, he really believed he was free."
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The reason for writing the book in secret.
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Before the Paris Review, Rich worked at The New York Review of Books. Here he discusses what he learned from NYRB's editor, Bob Silvers.
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Rich's editorial process looks like stacks and stacks of paper.
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It's not magical realism, Rich says. It's closer to Bulgakov's style.
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A summer in Trieste inspired Rich's first novel.